Paint Sweat and Tears

Shane will always be watching
Shane will always be watching
It’s been an emotional month since my last blog post. Of course if you read that post then you know that I was planning on the Goonies painting as my next big project. Well it is (now), after having completed the portrait “Mr. Shane Herrenschmidt.” If you haven’t kept up with my Facebook fan page or seen episode 26 on my YouTube channel, then right now your wondering,

“what happened to those original plans?”

Life….life happened.

We can all sit around and plan out our lives down to the minute detail, but we all know that in reality the world we live in is filled with millions of variables that flow in and out of reality to create a random and often frustrating life for us. Our job is to handle those obstacles to the best of our ability without losing ourselves in anger, sorrow, or madness. So while I was painting the Goonies one night, I found out that an old friend was approaching heaven’s doors.

A close family friend for over 30 years, my brother’s best friend, and wonderful friend to so many people, Shane was about to say goodbye to a world that put him through more tribulations than any other person I have ever met. Diagnosed with cancer over 10 years ago, Shane was put through countless chemo sessions, tried multiple trial drugs, and saw an assortment of doctors to try and fight of Sarcoma. He had good reasons to fight hard, he had a son, brothers, sister, parents, and countless friends investing their hearts in him and his recovery. Alas, in the end the good Lord upstairs decided it was his time and he became pain free on October 30th. Upon his passing, I felt the overwhelming urge to pay tribute to him in the best manner I know – painting.

I wanted to present the portrait to his mother at the wake which was only 6 days away. So I grabbed a photo from Facebook, sketched out the composition, and started jamming on the canvas. It took 3 days of painting, a day of drying, and framing to make the portrait come together. I was pleased with the work considering I didn’t have much time and anyone who knows me knows that I work slow on the canvas. I tend to get bogged down in details which slows my production. However, there was no room for piddling about on this one. The objective was to get it right the first time. I felt I did and the final seal of approval would be the presentation to his mother.

Her thoughts? I’m not sure, but judging by the long hug and the tears that ran down her face, I would say I was successful in my interpretation of her son. Indeed, she was so moved and surprised, I didn’t tell her I would be painting him, that she was shaking as she hugged me. It caught me off guard – that incredible reaction – and I felt it difficult not to tear up as well. The first thoughts in my head after that embrace,

“THAT is the power of art.”

I have always believed once a painting leaves the easel, so does a small part of the soul of the artist. Because he was a longtime friend who went too young (36), it was an emotional set of painting sessions for me. When I presented the portrait, I felt like I had presented her with a framed part of myself with my memories, my brother’s memories, and my family’s memories. So perhaps all of us are now a part of this painting. In the video, I mention that the painting is like a reflection of the impact Shane had on myself and my family. So I think because of that, a small part of his spirit is now encased in that painting as well. Materialism isn’t a good character trait, but in this case, the object is made from the memories and love of a friend. Objects like that are truly of value. With any luck, this painting will live on through his family and be handed down over the years so the courageous fight of Shane Herrenschmidt is not forgotten.

The paint went on….the sweat gathered….and the tears followed. That is the power of art.

Through the Fog I See

A new video as been posted to my YouTube channel. I’ve gone back to my “roots” to paint you a bunch of trees by a river. Ah, words can be so…pun, can’t they? The video is a simple and straight forward look at how I painted “Fog River” and I hope you enjoy it.

I completed this video in between painting sessions of my latest work. A large movie-themed work that focuses on – you guessed it – the Goonies. The challenge this time is incorporating 11 figures to work together to create a cohesive composition. My inspiration for this was none other than Rembrandt van Rijn. Rembrandt painted “The Night Watch” and in that work he successfully stacked figures from front-to-back as opposed to left-to-right. So I borrowed from this idea to stack my characters in such a manner that hopefully the viewer is not overwhelmed when looking for the center of interest. I don’t want to give away too much about the painting until I’m farther along. I want this to be a surprise and unveiled to unbiased eyes. I love this movie so much and I’m working hard to do it justice. I hope to have it done by Halloween.

That’s all for now, I have to get back to the painting. Check back later. Thanks for hanging out!

Painting the Fog is Painting the Mystery

Fog River
Fog River (2015) by Ryan Williams
My most recent project, Fog River, had been in my head since last winter. Of all the seasons, I firmly beleive winter holds the greatest mystery. The windy nights, cloudy days, and foggy mornings seem to all hold back a secret. Fog River was painted with the intention of capturing that mystery. A lot of people hold winter to represent death in the cycle of life while spring is the rebirth. I’m not sure I hold the same viewpoint. With all of the active weather we see in winter, wind and rain etc., I equate that activity to the rapid development of a new life in the womb. I think the actual ‘death’ symbolically takes place on the last day of autumn. I mean really – when you’re dead you’re dead. Do we really think winter is about dying over and over again? No way. Winter is Mother Nature’s way of saying, “I’m expecting again.”

I guess I have a different perspective on the seasons and the cycle of life especially since I just had my first child this summer. It was a challenge to complete a painting while tending to a newborn. I ended up painting a lot in the middle of the night since I was up for the feedings and changing already. The windows for painting were very small that first month, but after a week of sneaking in short painting sessions, Fog River is what I now present. I enjoy the occassional landscape as it’s a nice reprieve from the minutia of portrait and figure painting. If you would like to purchase the original or a reproduction then please visit my store.

Up next….it’s our time down here!

Originality – Remember that?

Hasta la vista originality!
Hasta la vista originality!

 

There is no better time of year than now to observe the decline of original creative thought. Just plop down $11 bucks at your local movie theater and watch yet another retelling of an old story, adaptation of a fashionable book, or the 9th sequel and in already dull storyline. Yes the art of writing has died in Hollywood hasn’t it?

This past week Terminator Genisys opened up to awful reviews and even worse box office draw. I think this is actually great news. I mean how else can we give Hollywood the not-so-subtle hint that we are fed up with the same recycled crap every year? Hey as hokey as the 80’s were, it was also the last decade to feature a deluge of original screen plays. The 90’s started the recycling trend and by the 2000’s, the imaginative force that fueled the rising success stories in Hollywood died. Now in the 2010’s the summer releases have become the punchline to a really old joke. Another Terminator film where Arnold Sure-is-older’s robot has aged? Are you serious? Okay I’ll try to get past that silly concept, but now your storyline essentially erases the storyline of the previous films? Then what was it all for? The motivation was surely not an artistic one; more like a spineless let’s-play-it-safe-and-recoup-our-investment one.

Ghostbusters – what a great film. Then they made Ghostbusters 2 and said, “Uh well, we made a lot of money, but it looks like we ran out of ideas with this storyline so let’s just put this horse out to pasture. ” For 25 years the Ghostbusters Universe sat in neutral. Then came that inevitable day where the studios basically said, “Well let’s reopen that empty can and see if it refilled itself.” Well it didn’t and it never does. Do studios think they can make summer blockbusters based on people’s nostalgia? That idea will only take you so far. Yes people in their 30’s and 40’s do enjoy occasional updates to some of their favorite films of the 70’s and 80’s, but if you jam up the release schedule with recycled film after recycled film, then eventually people say, “Why am I paying $11 to see a film that I basically saw for $4 back in 1984?” That is simply bad financial planning.

From the artist standpoint this really sucks. I imagine there are 100 screenplays for every dung ball of a sequel made. I don’t want to see another Spiderman film. Actually, I really don’t want to see so many comic book based films anymore. They are essentially the same plot line with different names and different costumes. I feel sorry for the writers who are trying to get their original ideas out there, but because of the studios mixture of cowardice and greed, are blocked at every attempt to do so. We need the original thinkers. We don’t need another teenager in a cape who can save the world by popping his super charged zits.

Enough Terminator films, don’t make Ghostbusters again, wrap up the capes of these tired comic book films, and please go back to making more ‘R’ rated movies. This ‘PG-13’ crap is dulling the minds of the movie goer in America. With ‘R’ we got Beverly Hills Cop 1 and 2. With ‘PG-13’ we got Beverly Hills Cop 3. Thank goodness artists of the canvas don’t try to redo their old work and pass it off as original. Well they could, but who wants to really try to sell something that screams “has-been” or “sell out?”

Let’s go Hollywood. Bring the original art back to the big screen.

Is there anything new under the sun? Or the theater? Not this summer.
Is there anything new under the sun? Or the theater? Not this summer.

A Pinball Artist – there has to be a twist

Ryan Williams in front of a High Speed Pinball Machine
Visiting the Pinball Museum in Alameda California.

There are many things that I miss from my childhood: Wiffle ball in the front yard, watching Ducktales after school, playing Nintendo on a Friday night with my Brother while eating Little Caesar’s pizza, and going to the arcade for a few rounds of pinball. In the midst of all of these modern electronic diversions, cell phones, game consoles, the internet, I hope you can remember the timeless joy of pinball. It’s that slanted table with the silver ball bouncing off a bunch of bumpers and lights. The experience is a cacophony of sights and sounds like the click of the flippers, the vibration of the ball plunger, the flashing lights of the scoreboard, the sheen of the painted table top, and the beautiful artwork of the sparkling back glass designed to attract more players. Seriously, have you ever looked at some of these machine’s artwork? Some of these paintings are hidden gems of artistic creativity.

A pinball machine is a unique hybrid of technology and artistry. From the first machines of the early 20th century to the few machines that are still being built today, the back glass painting has always been the first and most attractive feature of the machine. The painting is basically a message to the player from the machine as to say, “Check me out! I’m exciting and unpredictable!” The most exciting part of course is the actual game play. However, I want to pay tribute to some of the most creative paintings featured on an assortment of machines.

Jokerz! Pinball Back Glass Painting

Some great glass artwork inspires players and in some cases takes them away from the arcade, bar, or bowling alley the machine sits in and teleports them to the story of the game. For me, this suspension of disbelief happens whenever I play “Jokerz!” The game is set to baroque music and features stunning visuals of a King and Queen playing cards while a gang of little jesters looks on. The music and the artwork is what makes “Jokerz!” such an exciting table. There is some subtle humor in the artwork itself. For example, notice the little jesters helping the King and Queen cheat? Also, notice how the two drinks being served are of different amounts? Perhaps the King is trying to get the Queen drunk? Yeah…nice. The painting is rendered in brilliant colors and tells a fun story making “Jokerz!” my all-time favorite machine for the music and artwork alone.

One of the most popular machines of all time is “Twilight Zone.” The back glass presents a wonderful synopsis of the old television series. Standing in the doorway to another dimension is your host Rod Serling. In the room sitting along side him are some of the iconic symbols of the most popular episodes. For me, the Talking Tina doll seated in the bottom left is the most unsettling – in a fun way. The painting sets a mood of mystery, danger, and the unknown. In short, this painting is creepy and fun!

Twlight Zone Back Glass Painting

The last pinball machine I’ll highlight is “Black Knight 2000.” I simply love the fusion of a futuristic civilization and a medieval kingdom. The Black Knight is the villain and the player must take him down. He’s quick and unpredictable (symbolized by the lighting bolt in his hands) and he will taunt you until you beat him. Red is a color of love and passion, but also of power. Having so much red in the composition suggests a feeling of aggression and conflict. You the player have a single mission: take down the evil Black Knight. If you ever see this machine then give it a shot. The action is fast, the music is pounding, and the artwork sums up the exciting experience.

Black Knight 2000 back glass painting

As a programmer by day and artist by night, I think I have figured out why the pinball machine captivates me so. It’s a junction point for science and art. There is also something special about viewing the paintings of a pinball machine. Think of the differences between viewing pinball art versus a painting in a gallery. I love viewing art in galleries, but the experience is static. The painting just sits there. In a pinball machine however, the lights behind the glass and the sounds from the speakers bring the artwork to life. The experience is more dynamic and engrossing. Much like a good book can get the reader lost in the story, a good pinball machine can capture a player for a session of thrills and heart-pounding action. You’re getting all of this fun just because a glass painting pulled you in for a closer look?

Ah the power of art.

So many pinball machines...so little time.