Steve Jobs: The Artist

Steve Jobs -  the artist.
Artists are everywhere, but not all artists live by the easel.

Three and half years ago Apple lost their co-founder and visionary Steve Jobs. Jobs was much more than a CEO. He was a shrewd business leader, a master salesman, a brilliant designer, and yes, an artist. Notice that the word inventor was not on this list. The truth of the matter is Steve Jobs, the co-founder of the most valuable company in the world (as of this post), a technology company with a cult-like following of users, was seldom ever responsible for inventing anything himself. In fact, as a programmer he stunk. As an engineer, he was lost. Open up the machine and show him the circuit board and he would never see the bits and bytes like engineers would. He would see something else. He would see the possibilities.

That brings me to the Artist in Steve Jobs. If you’re in your late thirties or older then you probably remember those early days of the personal computer. The boxes were always a dull beige-colored box with no personality. Then in 1984 the Macintosh computer arrived and everything changed. The technology inside that computer can be credited to the brilliant and devoted engineers at Apple who poured their soul into the machine they created. The engineers had to work around the demands of Jobs as the case was restricting of a more general design. While credit for the efficient technology belongs to these engineers, the design of the case itself belongs to Jobs. Jobs came up with the idea to streamline the case and integrate the monitor with the disk drive. He also liked the idea of round corners for the case. In short, Jobs love of minimalism came out in his design of the Macintosh. Years later, the iMac would go even further to shirk the old dull boxy-look of the home computer. His machines, through his artistic hands, had a personality of their own. Industrial design is indeed an art, but the public usually doesn’t see it as such because most times the money surrounding the development and the sale, plus the primary function of the product, tend to cover the artistry of what is being sold. With Apple products however, make no mistake, under Jobs the devices he churned out were works of art.

As stated earlier, Jobs loved minimalism. This love really showed in later products. Think back to the first iPod. There was a button conspicuously missing from the device: the power button. Jobs thought the inclusion of a button would disrupt the smooth styling of the case. A button would wreck the symmetrical look and feel of the iPod. Jobs and his engineers came up with the idea of simply letting the iPod go into a sleep mode when not in use. The function was, as was the case in most of Jobs products, the subordinate to the design. The result was another visual masterpiece of craftsmanship. While Jobs was no expert on circuit boards or memory chips, his hand was still involved in the board layouts. He wanted the internal screws made of a certain material, to have a certain shape, to conform with the layout of the circuitry to produce a sublime yet powerful visual design. Here is evidence to the idea of Jobs being an artist, (and he saw himself as one): inside the first shipment of Macintosh computers, a metal plate was attached to the internals of the machine which featured copies of the signatures of the Macintosh team and Jobs himself. He once said to his team, “true artists sign their works of art.”Steve Jobs' Minimalism resulted in brilliant products.

I just finished reading Jobs’ biography written by Walter Isaacson. It was a revealing look into what he liked and disliked about product design. He frequently talked about Apple living at the intersection of technology and the humanities. That thought resonates with me because my day job is writing software. At night I indulge my creative impulses with drawing and painting. Somewhere these two disciplines intersect and it’s there that I define myself. I didn’t agree with a lot of Jobs personality, the raging tantrums, the selfish motivations, but I found myself relating to his love of art and technology. Artists are everywhere. Art is everywhere. Steve Jobs was an artist of the highest degree and his art changed our perceptions of what was, and is, possible. Thank you for the inspiration Steve. Although I will always be a Windows man myself. Steve-Jobs

A Portrait of a Mother and Sons

Mother and Sons (2015) by Ryan Williams
Mother and Sons (2015) by Ryan Williams

So the first painting of the year is done. A commissioned piece of a mother and her two sons. As the I mention in the video, this was difficult as I only had a single photograph to work with. Seeing as how this was a commission and would be a gift for someone, I really had to focus on capturing the joy that is a family bond. How do you achieve this feeling in a painting? What is it about a smile that tells a story? Faces are just like books: they all tell a story.

In this video I discuss the challenges that came with working on this triple portrait. I made some mistakes, learned from them, and now take that new knowledge with me as I start yet another portrait. This one is a bit simpler in that there will be just two faces. One human and one, well, not. What is this animal? Stayed tuned.

Paintings to Expect in 2015

Happy New Year from Sloth!
Happy New Year from Sloth!

Another year comes to a close and we can all look back, once again, on our hits and our misses.

As for my own hits?

In 2014 I had planned to make this the year of the portrait and that’s exactly what I did. Starting with a portrait of my wife in her teaching environment, moving on to a dual portrait of my maternal grandparents, and now closing with a commission of a triple portrait of a mother and hers sons. Yes, I’ve become very familiar with the face and yet each one provides it’s own challenges. Every face tells a story and every face teaches me more about not just the physiology of humans, but of their emotional profile.

Mixed in between these portraits was an enormous commission of beautiful AT&T park in San Francisco. This marks the third painting with the San Francisco Giants as the topic. The Giants will always be around my easel. I love baseball as much as I love art.

OK, so how about the misses?

One other portrait that I had planned was a new self portrait. I wanted it to complement my wife’s in showing me at my place of work. However, some events transpired this year that convinced me to hold off until next year on that. Another miss would have to be the fact that the old Disneyland painting, that was started back in 2005, still sits unfinished. With the commissions that came in, I really had no choice but to come up with another valid excuse for not finishing it…again.

So now we turn forward to look at what ideas are coming down the pipeline this year in 2015.

More portraits?

– Yeah a couple.

I have a dual portrait of a pet owner and her pet lined up. I expect to tackle this one first as its a gift. Later in the year, I would like to fulfill my original plan to tackle my second self-portrait to compliment my wife’s portrait. As of now, these are the only portraits I have in mind, but perhaps a new commission will come my way to change that.

Disney painting? Yep. How about a painting based on a classic movie and Fantasyland ride? Well its going to happen. Staying on that Disney vein, I really want to complete that Disneyland painting I started all those years ago so I really plan to bear-down and force those creative thoughts to see me to the end of this frustrating work.
disney paintings for sale

Movie Painting?

– Yes!

How about the 80’s?

– Yes please!

This year will mark the 30th anniversary of the classic comedy adventure “Goonies.” So I just have to mark this milestone with a painting to pay tribute to one of my all-time favorite movies. I can’t wait to see what I come up with. The research will be easy: just watch Goonies a few more times. I have the dialogue memorized line for line, but if I could just do that visually and have the film memorized frame by frame; then I would be the ultimate…uh….fan I guess. Perhaps I have too much time on my hands.

Alright. There you go. I have listed my plans for 2015. Now why do I do this? Sure, to let you all in on what I plan on doing this year artistically. However, the real idea is that if I tell a lot of people what I want to do, then I have more obligation to actually do it. This is a simple strategy for seeing your goals through: set up a verbal contract with other people that you will do this task and then do it. If you fail to do so, notice how your friends will ask you about why you didn’t do what you said you would. After awhile you get tired of people thinking your a thinker and not a doer. So there you go….I am off and ready to get this stuff done.

My targeted number of works in 2015? I will stay with 6. Many things in my life tend to come out of the blue and suck the free time away. However this would be adequate if I could actually reach that number. I have never been a quick painter.

Thank you to all my customers in 2014! Here is to painting something amazing in 2015! Happy New Year!

David and the Giants

We read newspapers, online stories, and blogs to get the latest news from around the world. What about a different medium for getting the news – like a painting? Have you ever noticed that many classical masterpieces are actually works of story telling? These paintings are colorful summaries of events that inspired the artist.

Take my painting based on the San Francisco Giants entitled, “The Giant Sleeps Tonight.” The Giants just recently won the National League Pennant and the very next day I sold another copy of the painting to a customer in Indiana. My guess is the buyer was a Giants fan who was still excited for the recent triumph and went looking for a tribute to hang on the wall. A painting can trigger emotions and give pause for self-reflection. In this case, looking at the glove, ball, and jersey might take the viewer back to the championship years of 2010 and 2012 when the Giants were on top. Perhaps the viewer attended a particular game and the painting brings him or her back to that special game.

The Giant Sleeps Tonight by Ryan G. Williams
Purchase a copy or the original from my store.

A painting can also be viewed as a colorful newspaper of masterful propaganda. The French master Jacques-Louis David was such a wizard of propaganda. You know his work: “Oath of the Horatii”, “The Death of Marat”, “Napolean Crossing the Alps”, etc. All of these works served as propaganda for the French revolution. In the case of “The Death of Marat”, the painting served to immortalize a figure whom David idolized. A man who was responsible for the beheading of hundreds if not thousands of French citizens whose only crime was that they didn’t appear to be common enough for the new revolution, Marat became the Joseph McCarthy of his time. To say paranoia played a part in these sentences is an understatement. If you were, or just appeared to be aristocracy, you were singled out in one of many hand written accusations of Marat’s and sent to the gallows. Needless to say, many innocent people died for seemingly no other reason except, in the mind of a paranoid nationalist, they were out of touch with the common Frenchman. I won’t babble on about the details of the revolution and Marat’s place in it, but I will just say that David was a supporter of the revolution and his paintings were intended to support, if not justify, the movement. When Marat was assassinated, David sought to immortalize the man in paint – and he did just that.
Death of Marat by Jacques-Louis David

This is something that I miss with contemporary art. We just don’t seem to have that great movement in art to describe the times. The majority of modern art feels shallow and self-serving. Political art tries to push us to one end of the political spectrum, shock-art attempts to get our attention about a social stigma through disturbing and often disgusting means, and then there is simply works of art with no visible direction at all. I am someone who says that just because something is old doesn’t make it good, but geez; the modern movement really doesn’t have much to say does it?

Well I have something to say. It may not spark a political movement or push you into public servitude, but there is a clear message. What is the message in my painting, “The Giant Sleeps Tonight?”

The message is simple.

October is orange. Go Giants!

Revisiting the First Paintings

It’s been a couple of months since my last post, but if you follow my YouTube channel or Facebook page then you know what the 50th painting looks like. The portrait of my grandparents entitled “Forever Belles” turned out to be a big success – both in my eyes and my family’s. That painting had a tremendous amount of meaning for me. What mattered most to me was seeing my grandparents smile and enjoy what I had created for them. My Grandmother passed away a couple of months ago and so it was one of the last things I was able to do for her and for that I will be forever happy.

Portrait
“Forever Belles” by Ryan G. Williams

Moving on to future plans, I am about to release a series of videos in which I go back in time to show all 50 of my paintings. You can watch the first part here… …to see the first 10 works and here the stories, but I wanted to give you a prequel and a little more detail on my artistic history here. So how did it all start? In the fall of 2004 I started recording and watching taped episodes of “The Joy of Painting with Bob Ross.” It was a relaxing way to end my busy days of study at Long Beach State’s computer lab. I would watch the same episodes on tape week after week and kept saying to myself, “I can do that.” or “I have a great idea for a painting!” Then one day in December of that year I decided to put my brush where my mouth was, it didn’t taste good, but I finally started painting on my own. My first easel was a table with a mini-fridge on it. The canvas sat on top of that fridge to make for an awkward easel. My first palette was some cardboard, which proved to be horrible as the oil just absorbed into the material. After an hour of hastily slapping paint on the canvas I had completed my very first, uh, well – mush. It was then that I realized you have to approach the canvas with a little preparation and cannot simply improvise your ideas – hence my personal painting education began.

As the paintings went on, I learned more and more about the nuances of painting. I started with landscapes and then started dabbling in still-life. I knew people and figures would be the most difficult and so I put that genre off until I felt more comfortable with the brush. I did start sketching people however and that was helpful in teaching me about proportions and the fact that I knew nothing about anatomy or the locomotion of humans did not deter me from learning more.

10 years later what has changed? Well I’ve acquired a fair amount of knowledge about the human figure. People are the most difficult of subjects because the viewers know inherently what the subject is supposed to look like. We can make up a tree or a mountain or a flower, but if the nose is on the forehead, people will look at the painting funny and think, “the artist is incompetent” or “modern art is so trendy.” Well I don’t care much for modern art and I don’t want to have my art reflect incompetence so I have been working hard to learn the intricate features of people. Given my last portrait, I feel I have made significant progress in that direction. So I hope you enjoy this video that shows the first 10 paintings of my work. Again, this is part 1 of a series of videos that will take you through my history.

Currently on the canvas is a little commission. I say “little” with my tongue in cheek because this painting is 36″x60″. This is not exactly a Sunday afternoon dalliance with the canvas. Currently I am up to 17 painting sessions and about 75% complete. I look forward to showing it you sometime this month. If you would like a sneak preview then checkout my Facebook page or Instagram account for photos.

I hope you had a great summer. Let’s hope for a colorful autumn.